Browse the glyphs

Harp techniques (U+E680 – U+E69F)

U+E680
Harp pedal raised (flat)
U+E681
Harp pedal centered (natural)
U+E682
Harp pedal lowered (sharp)
U+E683
Harp pedal divider
U+E684
Slide with suppleness (Salzedo)
U+E685
Oboic flux (Salzedo)
U+E686
Thunder effect (Salzedo)
U+E687
Whistling sounds (Salzedo)
U+E688
Metallic sounds (Salzedo)
U+E689
Tam-tam sounds (Salzedo)
U+E68A
Play at upper end of strings (Salzedo)
U+E68B
Timpanic sounds (Salzedo)
U+E68C
Muffle totally (Salzedo)
U+E68D
Fluidic sounds, left hand (Salzedo)
U+E68E
Fluidic sounds, right hand (Salzedo)
U+E68F
Metal rod pictogram
U+E690
Tuning key pictogram
U+E691
Use handle of tuning key pictogram
U+E692
Use shank of tuning key pictogram
U+E693
Retune strings for glissando
U+E694
Combining string noise for stem
U+E695
Ascending aeolian chords (Salzedo)
U+E696
Descending aeolian chords (Salzedo)
U+E697
Damp only low strings (Salzedo)
U+E698
Damp with both hands (Salzedo)
U+E699
Damp below (Salzedo)
U+E69A
Damp above (Salzedo)
U+E69B
Metallic sounds, one string (Salzedo)
U+E69C
Isolated sounds (Salzedo)
U+E69D
Snare drum effect (Salzedo)