Browse the glyphs

Other accidentals (U+E470 – U+E49F)

U+E470
One-third-tone sharp (Xenakis)
U+E471
Two-third-tones sharp (Xenakis)
U+E472
Quarter tone sharp (Bussotti)
U+E473
One or three quarter tones sharp
U+E474
Three quarter tones sharp (Bussotti)
U+E475
Quarter tone sharp with wiggly tail
U+E476
Byzantine-style Büyük mücenneb sharp (Tavener)
U+E477
Byzantine-style Bakiye flat (Tavener)
U+E478
Quarter tone flat (Penderecki)
U+E479
Syntonic/Didymus comma (80:81) up (Bosanquet)
U+E47A
Syntonic/Didymus comma (80:81) down (Bosanquet)
U+E47B
Wilson plus (5 comma up)
U+E47C
Wilson minus (5 comma down)
U+E47D
Large double sharp
U+E47E
Quarter-tone sharp
U+E47F
Quarter-tone flat
U+E480
Filled reversed flat (quarter-tone flat)
U+E481
Reversed sharp
U+E482
Reversed natural
U+E483
Reversed double flat
U+E484
Turned flat
U+E485
Turned double flat
U+E486
Three-quarter-tones flat (Grisey)
U+E487
Three-quarter-tones flat (Tartini)
U+E488
Quarter-tone flat (van Blankenburg)
U+E489
Three-quarter-tones flat (Couper)
U+E48A
One-third-tone sharp (Ferneyhough)
U+E48B
One-third-tone flat (Ferneyhough)
U+E48C
Two-third-tones sharp (Ferneyhough)
U+E48D
Two-third-tones flat (Ferneyhough)
U+E48E
One-quarter-tone sharp (Ferneyhough)
U+E48F
One-quarter-tone flat (Ferneyhough)